The following extract is taken from the "Life of John Holland of Sheffield Park
: from numerous letters and other documents furnished by his nephew and
executor, John Holland Brammall" by William Hudson (available on Internet Archive). It describes the writing of "The Tour" and gives insights into the character of its author.
From "Chapter XI. - 1835—1836" p198ff concerning
the writing of The Tour of the Don
As the year 1835 was drawing
near its end, Mr. Holland must have felt himself in command of much leisure,
with good opportunities to employ that leisure agreeably and well. Several of his chief literary designs had
recently been accomplished; and he was encouraged to seek new employment for
his pen. There was one project which had
been before his mind for many years, but which had been quite impracticable until
the year now under review. That project
was, to ramble along the banks of the Yorkshire River Don, and to write a description
of the various portions of its course and especially of that in the
neighbourhood of Sheffield. He thought
he could trace the desire to do so to the reading of one or two books; and
after revolving it in his mind, amidst other literary adventures of twenty
years, he at length reached the determination that it should be put into
action, and that a series of papers should appear in the pages of the Mercury . There the introductory article was published
on the 2nd of January, 1836. The date
which it bore was December the 24th; and the writer signed himself
"Viator". At the end of the
year fifty-three chapters had appeared, and the river had been traced from its source
to its confluence with the Ouse. The
papers excited considerable interest; their republication was strongly
requested; and Mr. Holland, in compliance, sent out, at the beginning of 1837,
two volumes forming together nearly five hundred pages, and entitled The Tour
of the Don. The explanatory part of the title
was, " A series of Extempore Sketches made during a Pedestrian Ramble
along the Banks of that River, and its principal Tributaries". For
variety, descriptive power, and general interest, this work will most
favourably bear comparison with all topographical books known to the present
writer. It is now out of print; and he
that tries to purchase a copy when it has found its way into the hands of a
Sheffield bookseller, learns, and probably marvels to know, how it is valued in
the neighbourhood.
The Tourist actually
visited the places described. In order
to render effectual his efforts to be quite correct in his descriptions of
scenery and in his application of local names, he drew section maps of the
course of the river, which, however, were not printed. And the tedium of occasional topographical details
is hardly felt by the reader, because of the ingenious introduction of notices
of eminent men and interesting events, with judiciously selected passages from
the poets and occasional original verses.
It would be grateful to
the biographer to linger long over The Tour of the Don, the first of Mr. Holland's
books that he remembers to have read. It
is so comprehensive and so pleasantly written, that it deserves a very
prominent place among the productions of its author. But only a few quotations can here be made. The following descriptive passage occurs in
the paper on "The Sources of the River" : —
"There is in the
outline of the moors, when enveloped with snow, a peculiar and chastened
beauty, which persons are in general too much chilled to appreciate. Covered by such a mantle, almost every
asperity of surface, and generally every harsh tone of colour are obscured;
there appears something like a process of magical assimilation to have taken
place ; and 'the mind in the eye' glides, as it were, over the glistening whiteness
with a facility and a velocity far surpassing the powers of the most skilful
sleigher that ever drove over its surface with dogs or deer. It is true, the scene presently becomes
monotonous; but still it is beautiful. And,
then, when the fall has been gentle, and the quantity not too great, how surprisingly
distinct does it often render the more prominent features of a landscape!
Trees, fences, buildings, and almost every other conspicuous object, appearing
of uniform dark colour, give to the snow-covered expanse some of the effect of an
uncoloured engraving, or delicate pencil sketch of the scene presented; and so
distinct are sometimes these inimitable pieces of Nature's delineation, that
places are clearly descried under the influence of a chilly blue winter's sky,
that had been unnoticed amid the splendours of summer”.
The passage next
subjoined shows Mr. Holland's wisdom in carefully observing things at hand when
his attention could not be given to distant objects. It also gives an additional revelation of his
social sympathies: —
" The writer of
this notice walked from Midhope to Penistone on the morning of the 7th of
December, 1835, which was remarkable for the densest fog which had occurred
during the season. Never, surely, did
any one before go out on such a day in search of the picturesque! As I
traversed the three- mile-long lane, encaged, as it were, in a moving lantern
of chilly light, it was some amusement to notice the appearance of the various
lichens which encrusted the walls, and which appeared to derive distinctness of
outline and depth of tint from the peculiar atmosphere in which those minute
vegetables and their admirer were enveloped.
It would just have been the morning and the occasion to engender in some
minds- peevish- ness and melancholy ; but why should it have such an effect ? '
In nature there is nothing melancholy.'
Onward I wended, until
in due time the tower of Penistone Church made its appearance, looming through
the mist like a gigantic apparition. I
love to come upon a rural church under any conditions of atmosphere. Dull as the morning undoubtedly was, I was
struck on approaching the churchyard to perceive that all was not dullness even
there, a cheerful gaily- dressed wedding party of six or eight persons just
issuing from the porch, scattering as they passed along a quantity of half-pence
among a lot of merry children whom the twelve o'clock bell had most seasonably
liberated from school in time to obtain the bridal largess. Well, thought I, after smiling what I had not
the courage to speak, 'May happiness be yours, ye wedded pair'.
The misty obscurity of
this day is strikingly significant of the unseen future of matrimonial
experience. I know of a certainty that
this mist will be dissipated; that the sun will again shine and display those
features of the landscape which at present are looked for in vain. Equally confident, no doubt, are these sanguine
young people, although perhaps they do not see far beyond the present hour,
that if gloom sometimes obscure their Providential path, the sunshine of life
will again break out, and the scenery of domestic joy display itself in renewed
beauty”.
The biographer has heard
Mr. Holland tell with great interest, how, at a subsequent period, the accuracy
of the foregoing account had to be tested by reference to the Parish register.
The entertaining Tourist
lingered long in Sheffield and its vicinity, devoting thereto more than a dozen
successive chapters, which appeared in the newspaper during the summer quarter
when the reader might, with the greatest pleasure, go out to test the
descriptions for himself. Lively
topographical essays were interspersed with appreciative, honest, and courteous
notices of the principal literary men of Sheffield, and of some other persons
known to fame.
For example, Botany
received a eulogium in connection with the name of Mr. Jonathan Salt; and
Ornithology, the famous works of Audubon, and a memorable interview which Mr. Holland
had in Sheffield with that justly celebrated naturalist, had such mention as
became a Tourist who was an admiring and successful student of birds and their
habits. That interview would be at the
house of Mr. Heppenstall, a member of the Society of Friends, who "had his
house full of ornithological specimens”. The Tourist says: — "I shall not
soon forget the evening I spent with John James Audubon and Lucy, his wife. He was one of the few men that a lover of
natural history, or a lover of mere adventure either, would have gone a great
way only to have seen. Truly a fine
figure he is, with the eye of an eagle, the limbs of an antelope, and the
simplicity of a real child of the forest; yet there was a quiet dignity in his demeanour,
and a placid energy in his conversation, which impressed me with the idea of
being in the presence of a man whose spirit was with future times, in the
assurance that the moderate award of his contemporaries would not be the full measure
of his renown”.
The sketch of Montgomery
proved that love of the country can live and be powerful in a man, and poesy
can raise his nature to her great elevation, amid "filthy backyards, black
brick walls, shelving roofs, and a grotesque array of red chimney-pots",
with a "cluster of substantial obstacles to the common daylight";
and, perhaps, the same sketch brought to some readers their first knowledge of
Montgomery's removal from "The Hartshead", the place just described,
to "The Mount," a place of residence which most people would deem fit
for a poet.
The chapter devoted to
Samuel Bailey, a man whose name and works are well known to political and
philosophical students, contains some severe but just criticism. Mr. Holland had no sympathy whatever with
those religious and political opinions for which Mr. Bailey was distinguished. He paid a just and generous tribute to the
philosopher's great ability; but he commended the electors of Sheffield for
persistently refusing to send that philosopher to Parliament. Mr. Holland was not a bigot; but he was a
staunch orthodox believer; and while he was extremely liberal in matters of
mere opinion, he could not bear what he regarded as repudiating the authority
of the Word of God.
Ebenezer Elliott, the
"Corn-law Rhymer", has frequent mention in The Tour; and the chapter
dated August 13th is devoted to him and his poetry. The opening sentence is this : — " The
most extraordinary man whom any tourist on the banks of the Don can turn aside to
see, is undoubtedly the individual whose name stands at the head of this sketch”.
Then, " in a spirit of the highest
admiration of Mr. Elliott's genius," the Tourist fearlessly points out the
peculiar blemishes of his published poems, showing that the lustre of Elliott's
great ability shone through much of abuse and execration, but that his wit was
quick, his sarcasm keen as a Sheffield blade, and his desire to serve a good
cause strong, sincere, and constant. Some
of the blemishes of his works are shown to be egregious; but of a passage
quoted in The Tour, Mr. Holland says, that "to a local reader of any
feeling, it seems as if poetry, piety, and painting had commingled their
choicest influences in its production”. In a notice, not in The Tour, of the
collected poetical works of his justly celebrated fellow-townsman, Mr. Holland
says, that there are among them passages which no living poet could surpass, together
with that which none but the lowest-minded of political economists could
admire, and which showed a wilful prostitution of a fine genius to a worse than
useless end. Sheffield has honoured
itself in erecting an abiding memorial of so remarkable a genius as Ebenezer
Elliott ; but his poems owe so much of their special flavour to a contemporary
but transient grievance, and contain so much of the evil element described
above, that in a few generations they will probably be very seldom named among
the people of his native district; though Southey expressed the opinion that
some collector will eventually receive the grateful acknowledgments of his
countrymen for bringing into notice poems unworthily neglected in the age of
their production ; and certainly Elliott's "name can never be erased from
the Bard-roll of Britain”. He has been
truly characterised as a most fierce, fervid, and eloquent man of genius that
entered the temple of poetical fame through the "iron gate" of
politics. The following passage speaks
the truth about a gentleman whose memory is still fragrant in Sheffield, and whose
successor is believed to have deserved and secured like influence and respect. It also contains a description of a state of
ecclesiastical affairs, the long continuance of which the right-minded readers of
The Tour must have ardently desired. Speaking
of the Established Church in Sheffield, Mr. Holland says: —
"To a race of
preachers, of whom the praise was more frequently couched in social or
political than religious epithets, and in whom the gentlemanly may be said to
have too generally predominated over the Christian characteristics, has happily
succeeded a body of clergy no less zealous in duty than sound in doctrine, no
less unwearied in pastoral attentions than irreproachable in private life, no
less gentle in demeanour than firm in discipline. Of the Sheffield clergy it may be truly
affirmed, that whatever others may do, they preach the gospel; that whatever
others may be, they are benevolent; that whatever others may do, they do not
seek to interrupt the usefulness of their fellow Christians of other
denominations; that, whoever is ready for every good work, local or national,
they are ready ; that, whoever else may do it, they make everything beside
subservient to the Christian character. Such
is the popular estimate of the Sheffield clergy as a body. May I be permitted to speak of the vicar in
particular? To the Rev. Thomas Sutton,
this parish owes, under God, a weight of obligation which assuredly it never
lay under in respect to any other clerical person. The name of this good man ought ever to be
associated with prayers, that blessings may descend upon him for the manner in
which he has administered and does administer the important trust devolved upon
him, in caring and providing for the churches.
An anonymous and disinterested writer may perhaps be allowed, without
offence, thus to express himself”.
In an article headed
"Preaching in the Hamlets," the Tourist has much to say about
Methodist Local Preachers. He calls
Local Preachers an extraordinary class of men, which the energetic genius of
Methodism has a direct tendency to develop.
He describes "a working man" who, scarcely distinguishable
from his fellow "smithy-men" on six days of the week, is found on the
Sunday, "according to plan" in the pulpit of a village chapel. The service which he conducts is depicted in
true colours ; the characteristics of a Methodist village congregation are
indicated ; and then comes the following passage : — " Could you hear the
members of the religious society, who sit mingled with the general congregation
as worshippers in that little rustic chapel, relate by what processes they have
been, as the cases may be, transformed from neglecters of the Sabbath to its
stated observers, from men of profanity to men of prayer, from bad husbands to lovers
of their wives and children, from drunkards to sober persons, from individuals
who scarcely knew the alphabet to those who can read the word of God, — in
short, from bad men to good men, by whatsoever criterion tried, — could you hear
the villagers, in their simple way, thus tell their experience, you, gentle
reader, would surely rejoice in the blessed effects which have resulted from
the preaching of the gospel in the hamlets on the banks of the Don”.
This witness is true;
but the Tourist knew too much to give all the credit of the witness to the
Methodists. The reader is reminded that
the Independents also have their village chapels; and the significant question
is asked, why the Established Church should not at once recognise and encourage
such extra-clerical agencies as might arise among her own adherents. A generation has gone since the Tourist asked
that question ; the venerable Established Church has freely "discussed the
question" of lay agency, while various Nonconformist Bodies have had it in
full and effective operation ; and the Church of England has become able at
last "to make a good beginning" in the direction here indicated. Several "lay preachers" licensed by
the Archbishop of York are now at work in Sheffield itself.
The late Mr, Samuel
Roberts, of Park Grange, was the subject of the article for August 27th. It gave an account of some of his numerous
literary achievements, awarded him a good share of well-deserved praise for the
manifold good work which it had been his happiness to do, and showed that the
Tourist was, by no means, in agreement with him as to some questions of
historical importance, although his personal character and his literary ability
were regarded with great admiration. The
two authors were attached friends. It
seems very probable that before this time they had talked to each other about
the authorship of the Tourist's articles in the Mercury. It was a real pleasure to Mr. Holland to
preserve an editorial secret; and his allusions lead to the impression that he
had in that respect a special gratification in this instance. The concealment appears to have been so
complete as greatly to puzzle all the literary men of the neighbourhood. Mr. Roberts entered with interest into the
speculation; and the biographer has heard Mr. Holland tell the following story as
illustrative of his success in an effort to conceal his authorship. During the day on which the article on Mr. Roberts
appeared, the Tourist and the subject of his sketch met in the street. "Holland." said Mr. Roberts,
brandishing his stick over his head, "now I know who is the author of those
papers; for no one but yourself could have given the particulars published this
morning about me”. A fortnight later the Tourist sketched Mr. Holland himself
in such a manner that Mr. Roberts lost all confidence in his former conclusion. Soon the two friends met again, when Mr. Roberts
said, "Holland, I must have been in error after all; for you cannot have
written what has now been said about yourself”. Mr. Roberts always addressed Mr. Holland in
the familiar style here exemplified. —
It must be added that the introduction of Miss Mary Roberts's name into the
account of The Royal Exile, led to a correspondence with that gifted and
accomplished young lady, on what she regarded as a disagreeable subject.
From the Tourist's
sketch of himself and his career several things have already been transferred
to this volume, which need not be particularly referred to again. The additional sentences, here subjoined are
characteristic and very significant : — "Our poet, I am sorry to say,
remains unmarried — why and wherefore, he best knows ; but however unable or unwilling
to satisfy others on so important a point, it must be presumed that he is fully
persuaded in his own mind, that his case forms an exception to the general
bearing of his poetical precepts on this subject”. Additional meaning may be
found in this passage when it is considered that one of his most respected
friends had lately been advising him to marry.
— " It remains to be added that, for some years past, Mr. Holland
has had an official connection with the Sheffield Literary and Philosophical
Society ; and there he is to be seen, duly and truly, either conversing with
some visitor or member of the Institution in the Museum, or seated at his desk
in the Council-room, cogitating, it may be presumed, some subject in prose or verse,
yea, in the opinion of certain sagacious persons, writing these very papers! I hope neither he nor any other person to whom
they may be imputed will think it necessary to deny the authorship”.
The Tourist
significantly made himself the subject of his last Sheffield article ; and the
next following week found him at Attercliffe, whence by weekly rambles he
proceeded until he found the Don no more, but stood beside the Ouse. Then his long cherished project was
accomplished. Reviewing the process, he
wrote that his own name had been withheld out of "regard for
considerations of obvious propriety, and that the names of others had been
introduced, and opinions about them had been honestly expressed, without any
unkind personal feeling”. And he was
happily able to add: — " I do not entertain any such feeling towards any
individual living ; nor do I believe that I am the subject of any such feeling
on the part of others”. It remains to be
stated that The Tour of the Don contains a number of original poems and anecdotes,
that there is in it much useful information, and that the author appears in it
as a very decided Christian, vigorously defending the theory of an Established
Church, and yet writing of Nonconformists and their good works in a spirit of
great admiration and strong sympathy. The
biographer puts the book aside with reluctance and regret, because he feels
that it contains most interesting things to which not so much as a reference
can be given in the present volume, through want of space,.
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